Friday, March 28, 2014

Noah (2014)

Noah

Warning: the following review contains spoilers.

            A few short months after Kirk Cameron told students at Liberty University that no one wanted to make a movie about God destroying the world, TriStar Pictures released a movie about God destroying the world. Featuring an all-star cast and backed by a big budget, Noah is the first major motion picture to focus on the iconic biblical hero.

            While some may think Noah a “Christian film,” director Darren Aronofsky ensures that few will make such a mistake. He makes good use of the producers’ $125-million-deep pockets: most of the visual effects are excellent and cinematography is on par with that of films of similar size and budget. Money attracts, as is evidenced by the film’s acclaimed cast, which includes Russell Crowe, Jennifer Connelly, and Anthony Hopkins—all Academy Award winners whom no Christian production studio could even dream of casting. The text from the trailer erases any remaining doubt that viewers might have about Noah’s Christianity: “The story is more than you imagined.” And Aronofsky’s story certainly is.

The story of Noah can be found in Genesis 6-9. Although the film portrays the biblical account of the great boat-builder, it is far from a perfect portrayal. If you want the unblemished biblical account of the great boat-builder, you should open your Bible, not your wallet. Noah includes much more material than is found in the biblical account. While this was the case with popular biblical movies like The Ten Commandments and The Prince of Egypt, some moviegoers that enjoyed those classics may take issue with Noah. The film references the extrabiblical Book of Enoch, drawing characters and names from the book that never made it into the Bible. Some more conservative Christian viewers might call this sacrilege; however, just because a book was rejected from the biblical canon does not mean that it does not contain truth. No one knows what parts of the Book of Enoch are true and what parts are false, so the extrabiblical information in Noah may very well be true.

            The Watchers, led by one Samyaza, are fallen angels mentioned in the Book of Enoch. Glenn Beck took issue with these “giant rock people,” as they are depicted in the film. The explanation for their abnormal appearance—given in the film—may be a bit of a stretch, but it is not a serious issue. Genesis 6:4 references “Nephilim” and “sons of God” living on the Earth in the days of Noah, so perhaps these Watchers are merely a creative take on an extremely vague biblical description. The real issue is not the Watchers’ appearance, but the assistance that they give Noah in building the ark. Despite the Bible’s lack of clarity on the time that it took Noah to build the ark, the common belief is that the ark spent about 100 years in the construction yard. Answers in Genesis says that the actual number might be as low as 75.[1] However, on the big screen, Noah had the help of the Watchers, and it took only 10 years. In Genesis 6:18b, God tells Noah that “you shall come into the ark, you, your sons, your wife, and your sons’ wives with you.” Clearly, Noah’s sons were married when God told Noah to build the ark, and, using Answers in Genesis’ low estimate of the ark’s build time, must have been almost 100 years old when the ark was finished. On screen, however, Noah’s oldest son is no more than twenty-five, with his youngest still a teenager, when the rain comes. Only Shem, the firstborn, has a wife, and Noah does not even take on any young girls to marry his younger sons in the future. Such a contradiction to the biblical text is sure to upset most Christian viewers.

            The most blatant instance of biblical ignorance, however, is a certain stowaway, an extra passenger on the ark. Tubal-Cain, the leader of the army that attempts to hijack the ark, manages to climb aboard unnoticed after his entire army is wiped out. Despite his (obvious) failure to kill Noah, his survival of the flood is a clear contradiction of Scripture that might put off even more viewers than Shem, Ham, and Japheth’s marital statuses.

            Glenn Beck went to an early screening of Noah and described the titular character as a “lunatic” who “tries to kill his own family.”  Beck is describing Noah’s plight to build a better Earth: a world without man. “Then the Lord said to Noah, ‘Go into the ark, you and all your household, for I have seen that you are righteous before me in this generation.’” Unfortunately, Russell Crowe’s Noah did not get this message. Believing that the only way to fully please God is to rid the world of humanity, Noah refuses to bring aboard wives for his younger two sons. And when Shem’s wife becomes pregnant, Noah vows to kill her child, should it be a girl who could potentially serve as a wife for one of his sons. Beck’s distress is understandable, but so are Noah’s on-screen actions. The film portrays the depravity of man rather well, and had God not told Noah that he was the one righteous man who would continue the race of Adam, his murderous intentions are completely understandable. What conclusion should he draw but that man is responsible for the utter corruption of God’s perfect Earth and that Earth could be perfect once more if man were not a part of it? This is not an excuse for Noah’s fictional sins, but merely an explanation for them.

            The most thought-provoking aspect of the film is its depiction of Noah’s drunkenness. According to Genesis 9:21, “[Noah] drank of the wine and became drunk and lay uncovered in his tent.” Most theologians attribute Noah’s drunkenness to a celebration gone too far. Aronofsky, however, takes the road less traveled: on screen, Noah drinks not to celebrate the new life that he and his family have been given, but to temporarily forget the guilt of his aforementioned murderous intentions. Although Russell Crowe’s Noah cannot curse Ham’s son Canaan, the scene is a wonderful synthesis of Hollywood and Holy Bible.

            One of my favorite scenes in Noah is not revealed in the trailer. The Christians that have expressed their distaste for Noah because of its inaccurate portrayal of the Bible are sure to love this particular scene. It is easily one of the quietest scenes in the whole film, a welcome respite from the noise and chaos of the raging floodwaters. It is the story of Creation. Aboard the ark, Noah tells his family the story of how God created the world. He paraphrases and summarizes the whole of Genesis 1, taking his family through each of the six days of Creation and telling them what happened on each day. Most Christians will greatly enjoy the scene; though some may criticize it for not directly quoting the Bible, they must remember that it was Moses, not Noah, who wrote the book of Genesis, so it would not make sense for Moses’ ancestor to quote what had not yet been written. If they can forgive the lack of direct quotation, they will be able to appreciate the fact that the story of Creation appears in the least likely of places: the big screen.

            If you are looking for an accurate, big-screen portrayal of the Bible, save your money. Noah is fraught with extrabiblical and contra-biblical occurrences, and the titular character may have some viewers in an uproar. However, Noah is still one of the only first-rate biblical films to come from Hollywood. It is an entertaining and thought-provoking work that will not please everyone who buys a ticket, but may encourage some moviegoers to open the Bible and read the story for themselves. And that is something that the vast majority of modern movies cannot claim.




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